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title: "Event"
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Music Festival at the Concert Hall
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 As the highlight of the “Festival of Music,” we’ll explore the boundaries of classical music: Alphorn player Lisa Stoll, together with the Swiss Orchestra, will present music by Mozart as well as Swiss melodies, while violinist Yuki Hirano will draw on a rich repertoire with the virtuosic “Carmen Fantasy” and a neoclassical work. The concert takes place as part of the “Festival of Music,” during which performances of various styles fill Andermatt Reussen with music throughout the day.

ABOUT THE PROGRAM
Friedrich Nietzsche, a German philosopher and philologist, wrote one of the sharpest and most entertaining pamphlets in music history in 1888. It concerns his former friend, Richard Wagner, whom he once held in high esteem. And it is a charming understatement when Nietzsche begins the preface to his nearly sixty-page reckoning with: “I am giving myself a little relief.” For in *The Case of Wagner: A Musician’s Problem*, he tears the composer and his music to shreds by every trick in the book—or, to put it more flippantly in this context: to the very core? The orchestral sound is “artificial” and “brutal,” Wagner’s art a magic trick, Wagner himself a “clever rattlesnake”: “He is the master of hypnotic techniques; he knocks even the strongest men down like bulls.” As a positive counterexample, Nietzsche—the connoisseur might say: of all people—cites Georges Bizet’s opera “Carmen.” Here, the once ardent Wagnerian becomes not only a “better philosopher” but even a “better person” upon listening. He describes the music as light, charming, rich, and cheerful. It “doesn’t sweat”; Bizet’s atmosphere is—figuratively speaking—dry, pure, and clear; the music symbolizes a return to “nature, health, cheerfulness, youth, and virtue.”

But what does all this have to do with the Swiss Orchestra’s concert? First of all, Franz Waxman’s “Carmen Fantasy” for violin and string orchestra brings the most beautiful melodies from Bizet’s opera to the concert stage. And that’s not the only thing likely to please the philosopher. Large parts of the rest of the program could also align with Nietzsche’s conception of good music (which—incidentally—looked quite different in his early work), as the mood is nature-loving, cheerful, and youthful: First up are two nature-inspired pieces for the unusual combination of alphorn (Lisa Stoll) and string orchestra: Hans-Jürg Sommer’s “Alp-Sommer” and Leopold Mozart’s “Sinfonia Pastorella.” Edvard Grieg’s “Two Nordic Melodies” for string orchestra are characterized by Norwegian folk music and a profound, atmospheric harmony. Alexey Shor’s Violin Concerto (soloist: Yuki Hirano) combines virtuosic passages with youthful cheerfulness. The mood is quite different in Samuel Barber’s “Adagio for Strings,” which was voted the saddest piece of classical music by BBC listeners. – But such a small counterpoint surely won’t hurt Nietzsche’s ears either.

Lisa Stoll, alphorn
Yuki Hirano, violin
Swiss Orchestra
Lena-Lisa Wüstendörfer, conductor

PROGRAM:

EDVARD GRIEG
Two Nordic Melodies for String Orchestra, Op. 63

LEOPOLD MOZART
Sinfonia Pastorella in G Major for alphorn and string orchestra

HANS-JÜRG SOMMER
“Alp-Sommer” for alphorn and string orchestra, Op. 222

ALEXEY SHOR
Violin Concerto No. 6 “Carpe Diem”

FRANZ WAXMAN
Carmen Fantasy for Violin and String Orchestra

SAMUEL BARBER
Adagio for Strings

Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors. 

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Price info

CHF 105.00 / 90.00 / 75.00 / 60.00 / 45.00
Children, schoolchildren, apprentices, and college students (up to age 30) receive a 50% discount on all regular tickets.

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Event location

Bärengasse 1

6490 Andermatt