Ensemble Accento musicale - Playful Song Recital 8.0: "Burning Love!"
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Stephanie Ritz, soprano; Urs Bamert, clarinet; Ina Callejas, accordion—A refreshing program featuring works by Mozart, Vivaldi, Handel, Lachner, Frank Martin, Arthur Beul, Gershwin, and others.
In recent years, “Accento musicale” has enjoyed great success with its “Playful Song Recital” concert format, featuring the unusual trio combination of soprano, clarinet, and accordion. The 8th edition, featuring a varied and humorous program, was specially arranged by Ina Callejas and Urs Bamert for this ensemble. Virtuoso coloratura arias alternate with subtle, melancholic sounds, and cheerful songs with moving clarinet and accordion melodies.
Program:
Georg Friedrich Handel (1685–1759): “Meine Seele hört im Sehen” from “9 German Arias” HWV 207
Frank Martin (1890–1974): “Ach herzeliep” from “Drey Minnelieder” (1960), text by an anonymous author
George Frideric Handel (1685–1759): “Flammende Rose, Zierde der Erden” from “9 German Arias” HWV 210
Frank Martin (1890–1974): “Ez stuont ein frouwe alleine …” from “Drey Minnelieder,” text by Dietmar von Eist
George Frideric Handel (1685–1759): “Das zitternde Glänzen der spielenden Wellen” from “9 German Arias” HWV 203
Frank Martin (1890–1974): “Under der linden” from “Drey Minnelieder,” text by Walther von der Vogelweide
Paul Jeanjean (1874–1928): “Clair matin,” idyll for clarinet and accordion
Wolfgang Amadé Mozart (1756–1791): “Parto, parto, ma tu ben mio,” aria from the opera “La Clemenza di Tito,” KV 461
Franz Lachner (1803–1890): “Auf Flügeln des Gesanges,” lyrical intermezzo (1832), text by Heinrich Heine
Antonio Vivaldi (1678–1741): “Alleluja” from the motet “In furore iustissimae irae,” RV 626
George Gershwin/arr. Ernst-Thilo Kalke (1898–1937): “Walking the Dog” (“Promenade,” 1937) from “Shall We Dance,” for clarinet and accordion
Uli Führe (*1957): from “8 Chorlieder,” lyrics by Heinz Erhardt, “Die Kuh” & “Das Lama”
Artur Beul (1915–2010): “Mit zwei Augen wie den Deinen” & “Am Himmel stoht es Sternli”
Arrangements: Ina Callejas & Urs Bamert
With support from (as of October 10, 2026):
Swisslos Cultural Promotion, Canton of Schwyz
Asuera Foundation
Octapharma Foundation
Museum Fram Einsiedeln
Hof Rüteli Nuolen
Schwyzer Kantonalbank
Carl & Elise Elsener-Gut Foundation/Victorinox AG
HUBER Attorneys at Law, Pfäffikon SZ
Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors.
Reserve a spot at [email protected]
In recent years, “Accento musicale” has enjoyed great success with its “Playful Song Recital” concert format, featuring the unusual trio combination of soprano, clarinet, and accordion. The 8th edition, featuring a varied and humorous program, was specially arranged by Ina Callejas and Urs Bamert for this ensemble. Virtuoso coloratura arias alternate with subtle, melancholic sounds, and cheerful songs with moving clarinet and accordion melodies.
Program:
Georg Friedrich Handel (1685–1759): “Meine Seele hört im Sehen” from “9 German Arias” HWV 207
Frank Martin (1890–1974): “Ach herzeliep” from “Drey Minnelieder” (1960), text by an anonymous author
George Frideric Handel (1685–1759): “Flammende Rose, Zierde der Erden” from “9 German Arias” HWV 210
Frank Martin (1890–1974): “Ez stuont ein frouwe alleine …” from “Drey Minnelieder,” text by Dietmar von Eist
George Frideric Handel (1685–1759): “Das zitternde Glänzen der spielenden Wellen” from “9 German Arias” HWV 203
Frank Martin (1890–1974): “Under der linden” from “Drey Minnelieder,” text by Walther von der Vogelweide
Paul Jeanjean (1874–1928): “Clair matin,” idyll for clarinet and accordion
Wolfgang Amadé Mozart (1756–1791): “Parto, parto, ma tu ben mio,” aria from the opera “La Clemenza di Tito,” KV 461
Franz Lachner (1803–1890): “Auf Flügeln des Gesanges,” lyrical intermezzo (1832), text by Heinrich Heine
Antonio Vivaldi (1678–1741): “Alleluja” from the motet “In furore iustissimae irae,” RV 626
George Gershwin/arr. Ernst-Thilo Kalke (1898–1937): “Walking the Dog” (“Promenade,” 1937) from “Shall We Dance,” for clarinet and accordion
Uli Führe (*1957): from “8 Chorlieder,” lyrics by Heinz Erhardt, “Die Kuh” & “Das Lama”
Artur Beul (1915–2010): “Mit zwei Augen wie den Deinen” & “Am Himmel stoht es Sternli”
Arrangements: Ina Callejas & Urs Bamert
With support from (as of October 10, 2026):
Swisslos Cultural Promotion, Canton of Schwyz
Asuera Foundation
Octapharma Foundation
Museum Fram Einsiedeln
Hof Rüteli Nuolen
Schwyzer Kantonalbank
Carl & Elise Elsener-Gut Foundation/Victorinox AG
HUBER Attorneys at Law, Pfäffikon SZ
Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors.
Reserve a spot at [email protected]
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